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The Swastika Dispersion of the Swastika
Swastika with four arms, crossing at other than right angles, the ends ogee and to the left. --- Figs. 158, 159, and 160 show Swastikas with four arms crossing at other than right angles, many of them ogee, but turned to the left. Fig. 161 is a representation of a wooden button or clasp, much resembling the later gold brooch of Sweden, classified by Montelius (p. 867), covered with plates of gold, from Sepulcher IV, Mycenæ (Schleimann, Mycenæ, fig. 385, p. 259). The ornament in
its center is one of the ogee Swastikas with four arms (tetraskelion)
curved to the left. It shows a dot in each of the four angles of the cross
similar to the Suavastika of Max Müller and the Croix swasticale
of Zmigrodzki, which Burnouf attributed to the four nails which fastened
the cross Arani (the female principle), while the Pramantha
(the male), produced, by rotation, the holy fire from the sacred cross.
An almost exact reproduction of this Swastika will be found on the shield
of the Pima Indians of New Mexico (fig.
258).He also reports (2) that Swastikas (turned both ways) may be seen in the Royal Museum at Berlin incised on a balustrade relief of the hall which surrounded the temple of Athene at Pergamos. Fig. 162 represents a spiral Swastika with four arms crossing at right angles, the ends all turned to the left and each one forming a spiral.
Waring (3) figures and describes a Grecian oinochoë from Camirus, Rhodes, dating, as he says from 700 to 500 B. C., on which is a band of decoration similar to fig. 130. It is about 10 inches high, of cream color, with ornamentation of dark brown. Two ibexes follow each other with an ogee spiral Swastika between the forelegs of one. Meander pattern, with ends bent to right and left. --- Figs. 163, 164, and 165 show the Swastika in meander pattern. Fig. 163 shows two Swastikas, the arms of both bent to the right, one six, the other nine times. The Swastika shown in fig. 164 is bent to the right, one six, the other nine times. The Swastika shown in fig. 164 is bent to the right eight times. That shown in fig. 165 bends to the left eight times. ![]() ENDNOTES: 1. "Ceramic Art in Remote Ages," pl. 42, fig. 2. [Back] 2. "Troja," p. 123. Back 3. "Ceramic Art in Remote Ages," frontispiece, fig. 3, and p. 115. H. Mis. 90, pt. 2---54 Back << Previous Page Next Page >>
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